Welshman Griff Rhys Jones, now in his 64th year, is an actor, comedian, producer, documentary presenter, producer, writer, well the list goes on, and indeed in a one-man touring show, he could have chosen just about any topic with which to delight the audiences. Instead, namely his latest tour 'Jones And Smith', he chose to talk about his comedy partner, the late Mel Smith.
If you are a spoil-sport when it comes to audience participation, then this is not the show for you. If however, you are looking for some belly laughs, are up for fun, and are looking to watch something completely different to anything you’ve seen before, then make sure you book a ticket.
Sam Willis, AKA the Boy With Tape on his Face or just Tape Face, is a comedian like no other. Throughout the entirety of the two act show, he does not utter one word - the black gaffer tape across his mouth prevents that. That is not to assume that he doesn’t say anything. His black-lined eyes, his body language and general mannerisms communicate far more than you would assume,
The Manchester Comedy Store was taken over by taboo and risqué subjects in an evening dedicated to the darker side of comedy ranging from Child Slavery to Kevin “The REAL Terrorist”, Hitler to Donald Trump (obviously!)
This show is not for the faint of heart, the easily offended or with all honesty the unintelligent.” There was a great buzz round the intimate crowd assembled.
With over 30 years experience of stand up, And the first women to win the Perrier Award, I went to see Jenny Eclair this evening at the beautiful St George's Hall in Liverpool for her show titled 'How to be a Middle Aged Women (without going Insane).
Now in first hearing the title of this show, I did think to myself that I am going to struggle to relate to this show, being that I'm a male in my twenties, surely I'm not really the demographic for such a show, but I was pleasantly surprised.
It's Friday night and we're at the beginning of the weekend, which for most of us, means a lie-in and I'm here to see the ultimate lie-in comedian, the slightly dishevelled Seann Walsh.
Kicking off the night, support came in the form of Mark Simmons, who started the night on the right note with funny one liners and quips, I normally dread the support act but not this one. This guy will go far.
The king of comedy is touring his new show, Propped Up, following rave reviews from the Edinburgh fringe in August. He’s well known for his skill at involving the audience in the jokes- as subject or participant- and we were splitting our sides laughing within seconds as he attempted to get the audience on stage with placards with miserable results, effing and blinding at the top of his voice at the uselessness of the star-struck audience. The stage was littered with random props- masks, animals, deal or no deal boxes, a countdown vowel/ consonant board- but the audience were the most fun props of all.
I must not be the only person that finds the idea of ventriloquism a little bit creepy and outdated, the art form seems to have mostly died as an art form and not seen in the mainstream again since before the millennium, until one woman flipped it on its head. That woman is Nina Conti and I went along to see how she's brought an art form back from the dead and brought the audience back with her.
I certainly did not expect seeing German-born comedian Henning Wehn in the largest of the Lowry's theatre's tonight - and from the incredulous look of surprise and wonder, neither did Herr Wehn. He openly admitted that this is the largest venue he has ever played, and not surprisingly really since it is one of Europe's largest stages! And with even the upper gallery opened for this evening's show, it was a complete sell-out too!
This was the most theatrical stand-up comedy show I have ever watched. As we entered the Lowry Theatre's largest venue, The Lyric Theatre, we were greeted by a large curtain across the forestage with Ross Noble's face staring quizzically out at us and with some excellently chosen pre-show music [I had the feeling that even this may well have been chosen personally by Noble. I loved the 'Cheesecake Song'!] we knew that this was a comedian who took his work seriously.
Tonight I had the opportunity to see a show unlike anything else I have seen before. I had seen clips of TAPE FACE’s work before on The Royal Variety Performance, and I thought to myself back then…what a simple, yet clever idea for contemporary mime. However, reflecting on last night’s performance I don’t know if you can simply categorise this artist’s work into the ‘mime’ genre, he made me laugh more than any stand-up comedian ever has, and as far as I can remember I have never seen a comedian receive a complete standing ovation from an audience before. So, how does he do it? How does a man, with a silly hair style, black tape across his face and a lot of eye liner entertain us for 110 minutes without talking and delivering punchlines without a word spoken?
Does it get any more British; than a traditional Sunday lunch and an afternoon of Al Murray at the Lowry, unless you add perhaps a pint of British ale in the interval?