The Ticket to Write Festival is an annual showcase of original plays based on The Beatles. 2016 is the fifth year and tonight, Ace Drama Productions, brings us ‘Drums Along the Mersey’ and ‘Shake It Up Baby’.
As Liverpool Comedy Festival enters its 14th year, this year it has launched Funny Looking Fringe which it describes as “fresh, funny and fine comedy with an alternative twist”. With the brilliant Arthur Smith as patron of this new addition to the Liverpool Comedy Festival it promises a great deal. All of the performance included in Funny Looking Fringe take place in the charming 81 Renshaw Street, cafe by day, supporter of theatre and comedy by night. Beautiful art was hung on the walls of this small establishment in the heart of Liverpool City Centre and there was certainly a buzz in the air before the show began.
"Did you hear the story of the Johnstone twins, as like each other as two new pins? How one was kept and one given away. How they were born and they died on the self same day"
After receiving the confirmation that I would be reviewing The Last Utopian, there was an added sense of anticipation for this event due to the fact that the location for the event was secret. A further email was received with details of the location and a request for me to send a picture of myself to Dr Wellington, a character from the production.
I’ve just had a wonderful afternoon, wearing a boiler suit and a hard hat, walking along dusty narrow corridors and climbing up and down many flights of stairs. It was because I had the privilege to be part of the first ‘Footman Tour’ of St. George’s Hall in Liverpool.
We were told that whilst refurbishment had been taking place they found a bricked up tunnel and when it was opened two footman stepped out saying they had been there since the 1800s! Smith and Jones knew parts of the building that had never been opened to the public before and so began our great adventure in time and space.
We walked down a corridor that contained part of the current walking tour of the hall but then we ushered through a side door, along a more functional corridor and then on to a balcony. It was then I realised that we were standing high above the ballroom, looking at the best Victorian England had to offer at a time when Liverpool was the second most important city after London. Beautiful chandeliers, exquisitely carved statues and the extremely grand pipe organ. When Queen Victoria visited, in 1851, she thought St. George’s Hall was ‘one of the finest modern buildings imaginable…The taste is so good and the style so pure…’
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