Ellen Kent is in town again, this time with that old favourite from the pen of Giuseppe Verdi, Aida.
Premiered in Cairo in 1871, this opera tells the story of Aida, daughter of an Ethiopian King, captured and enslaved by the Egyptians. Her new employer, the daughter of the Pharaoh, and her both fall madly in love with the same man, Radames, who is given the post of Commander of the Egyptian Armies and tasked with quelling and overcoming the attack by the Ethiopian army attempting to rescue their princess.
City of Manchester Opera is a company of professional, semi professional and trained amateur singers based in Manchester. They have more than 30 members of different nationalities, age and backgrounds, and where possible sing most of their repertoire in original languages. To date these have included French, German, Italian, Spanish and Russian. The passion and commitment is to share the marvellous music with as many people as possible.
A Delightfully Moving and Powerful Tale of Hope
Nabucco is a four-act opera by Italian composer Giuseppe Verdi which follows the plight of the Jews as they are attacked, conquered, and exiled from their homeland by the Babylonians in 586 BCE. It was first performed at La Scala in Milan on 9th March 1842.
Wonderland is currently undertaking a UK tour which runs until August 2017. The show was ﬁrst produced in America in 2011 and then transferred to Tokyo in 2012. It opened its ﬁrst UK tour at the Edinburgh Playhouse and is now playing at various venues across the country.
Every person in Britain has seen Shakespeare’s Twelfth Night in one form or another. The play has been recycled so many times that it would take something extremely unique to make one production stand out. The Royal Exchange’s production of the classic play is so bizarre that I still can’t decide whether I liked it or not.
I don't think there are many shows out there that are as entertaining as Michael Flatley's feel good live shows, and that's been the case for over 20 years now, entertaining audiences around the world and now it's back in Manchester with a brand new version at the glorious Palace Theatre to find out how the new show compares to the original?
Sally Morgan is probably one of the best known psychics, TV’s ‘psychic Sally’ and psychic reader to Princess Dianna and many other A-list celebrities. Sally now conducts 165 psychic stage shows a year around the UK. Sally claims to have had seen her first ghost when she was aged four years and as an adult she turned, what she has claimed to be, a psychic talent into a career as a professional medium. Now as a striking 65 year old woman Sally is undoubtedly a superb entertainer and has a hefty following of believers.
First performed by John Godber and his wife Jane Thornton as a fund raiser for Hull Truck Theatre in 1992, April In Paris, ranks alongside Bouncers and Teechers as one of the writer’s most frequently performed plays. In this production the roles of Al and Bet, a married couple who take their first trip aboard are played by Manchester actor, writer and comedian, Toby Hadoke and Sarah Burrill founder of Little Diamond Theatre, the producer’s of this hugely enjoyable and entertaining touring production.
The Commitments is currently playing at the Palace Theatre in Manchester until the 8th April. The show follows the rise and fall of a band coming together to bring soul music back to the mainstream.
Sheffield based company 'Footprint Theatre' present a short 50-minute piece about the conviction of Daniel, an 18 year old, who is sentenced and imprisoned for the possession of indecent images of children. It explores the stories of his family and friends who are all dealing with the trauma and aftermath. It tells a story of how the characters endeavour to work out who the person is that they thought they knew. By trying to ask difficult and often uncomfortable questions, they hope to find some, or any, answers.
In his solo performance Traumboy, Daniel Hellmann reports openly, honestly and visually on his experiences as a male prostitute. This unique interactive performance piece gave the Manchester audience a mature and breath-taking view of Hellmann’s 7 years of experience as he guided us through a graphic, and sometimes shocking subject matter.
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