Wheels within wheels, plays within plays. Who is really whom and what does it all mean? The answers to these questions lie in this stylish production of Edmond de Bergerac, a twist on the classic play Cyrano de Bergerac by Edmond Rostand first performed in 1897. Written by the French playwright Alexis Michalik (translated into English by Jeremy Sams) and directed by Roxana Silbert, the play is entertaining and technically impressive, though somewhat lacking in spontaneity and surprise.
Most companies just require actors to learn the lines and hit their marks but this time out Red Ladder have asked their cast to learn how to wrestle.
To make Nick Ahad’s play work all four actors have learnt complicated moves made popular by the likes of Yorkshire’s Big Daddy in yesteryear on ITV’s World of Sport, and more recently by the cartoon grapplers over the pond who populate the daft WWE.
It often seems provincial audiences aren’t sophisticated enough to take on Tom Stoppard’s undoubted gift for wordplay as his plays usually only plays in the capital so the great man’s fans were looking forward to this rarely toured piece.
I bet I wasn’t the only one singing The Sun’ll Come Out Tomorrow as they drove home from Hull New Theatre, on Monday night.
Yes, Annie was back in town and boy, what an impact she made!
The 2001 movie starring Reese Witherspoon was initially a novel by Amanda Brown, which was partly based on her experiences at Stanford Law School. After several film sequels, the 2007 musical version was born; as we know it; premiering on Broadway and it was with this that the story was given a new lease of life.
'slams you to your seat, ties you down and demands you listen!'
The 2004 concept album from Green Day is moulded into a stunningly intense visual and gripping punk-rock production that firmly gesticulates to the world in general. Breaking archetypal norms of music we are thrust into rebellion that is active, aggressive, attacking and all consuming.
Simon Beaufoy's award winning play based on the Fox Searchlight Pictures motion picture 'The Full Monty' stays true, poignant and entertaining. With all the magic of the film, the unlikely characters of hapless Gaz played by Gary Lucy, the loyal friend Dave (Kai Owen), ex-foreman Gerald (Andrew Dunn), Horse, 'who isn't' (Louis Emerick), suicidal Lomper (Joe Gill) and 'the lunchbox has arrived' Guy (James Redmond) unfurl their inner self's in true Yorkshire fashion - no airs or graces, to the point ... blunt and with real Northern wit.
An original play set in the Brutalist concrete housing of the Parkhill estate in Sheffield, may not sound the most attractive premise for adaptation into a musical. However, 'Standing At The Sky's Edge' was life affirming and heart-breaking in equal measure and easily my highlight of my theatrical year to date.
It’s a trip down memory lane at the York Theatre Royal with this moving production of Kazuo Ishiguro’s famous novel, adapted by Barney Norris and directed by Christopher Haydon.
Madness! You mention the name Madness and you’ll struggle to find someone who doesn’t like them. Combine their music, with a love story penned by Tim Firth and you have a match made in heaven! So, as to the story itself… ‘There’s a wrong path and a right path, it’s a pretty simple equation…’ which path would you take? That is the quandary faced by lead character Joe Casey when he finds himself in a sticky situation whilst out trying to impress his girlfriend Sarah, in Woodhouse Musical Theatre Companies latest Theatre venture ‘Our House – The Madness Musical’.
The Hessle Theatre Company describing their members as amateurs? Well, after seeing them in action on Tuesday night on the Hull New Theatre stage, someone is telling porky pies.
The company’s production of Made In Dagenham The Musical was as professional as any I’ve enjoyed at the theatre.
Page 9 of 33