More Deadly than the Male consists of two plays written by Jamie Gaskin. Here is Thy Sting and The Budding Mantis feature an all-female cast under the direction of Sarah Sharp and explore how far people are willing to go when pushed to the limit as well as how the women can be far deadlier than men.

With current news headlines underlining the importance of having a state, and the debate about Shamima Begum has highlighted how making someone stateless is illegal under international law. But what if someone deliberately chooses to reject their nationality, to become stateless?

In the midst of LIPA’s Spring and Summer season of public performances, the third year Acting students, this week, have taken to the stage with a production of Dennis Kelly’s version of George Kaiser’s play From Morning to Midnight. The play tells the story of a bank clerk who decides to start a brand new life when he steals a huge amount of money from the bank he works in.

Directed by Lee Clotworthy, Imaginarium Young Actors present Class, a story of school politics, popularity and the personalities people have in front of others and behind the screens which are ever present in our lives today.

Abigail’s Party first appeared on stage in 1977, the result of what director and writer Mike Leigh called a collaboration between himself and the actors, with the characters were explored through extensive improvisation sessions.

It’s always an exciting time when they announce a UK Tour of a musicals - after the glorious West End has housed them for so long. It’s a chance for those people who don’t get down to the capital very often to experience what everybody else is raving about. I was one of those for Kinky Boots and after 3 years I have FINALLY witnessed those beautiful red boots in ALL their glory, at Liverpool Empire Theatre. Did it disappoint? I guess you’ll find out.

Dating from 8th century BCE, The Odyssey is one of two epic poems attributed to Homer. Comprising over twelve thousand lines and featuring over seventy named characters, it relies upon a rhythmic scheme typical of the oral tradition to enable it to be faithfully re-told and which is perhaps testament to it standing the test of time.

Here's your opportunity: to re-live the momentous night in when Hull defeated ? to join the Premier League in ?, to watch 'a serious and worthy play' about Brexit, and to learn Polish. And to have to resort to Google... Sounds like a right bundle of laughs, doesn't it? That's the saving grace, unlike the plot; baggy as a pair of Weightwatcher winner's old trousers. When Steph meets Anna, their on/off relationship appears to mirror UK and Europe, I think.

This week LIPA’s third year acting students return to the stage in a production of Tom Morris and Emma Rice’s adaptation of Michael Powell and Emeric Pressburger’s film A Matter of Life and Death. The play tells the story of World War 2 pilot Peter and how he finds himself having to fight to stay alive despite the fact that he should be dead.

Under the Umbrella is a play about pressure. Pressure to get married, pressure to be successful, pressure to be a good daughter, a good friend, a good citizen and, most importantly of all, a good wife.

I always admire any theatre company that challenges Dickens; an ambitious endeavour due to the sheer number of characters involved – particularly in David Copperfield. This usually results in a lot of doubling up of roles but the Carlton Players under the direction of Marc Smith, avoid too much of this by trimming a number of the marginal characters and sub plot, leaving us with the bare bones of David Copperfield’s journey into manhood, all told in the first person narrative by the older Copperfield in an endearing and flowing performance by David Tolcher.