Are you sitting comfortably? Well, that’s all about to change. In a world where Disney has commandeered and sanitised so many stories, this return to the heart of Hans Christian Anderson’s tales rediscovers the courage of true story telling, brought fabulously to life in Emma Rice’s production.
Wicked is currently on a UK tour, traveling all over the country until January 2019. Wicked opened in the West End in 2006 and has ran ever since. It’s in its 12th year in London and has become the 15th longest running West End show with no signs of stopping anytime soon! So there certainly is a lot of hype that surrounds and follows the show where ever it goes. Is the hype justified? The short answer is yes!
An evening at Liverpool's Everyman theatre, with the start of the resident 'rep' company's season. Performing Lerner and Loewe's Musical Paint Your Wagon.
In a town with hundreds of men but only one woman, the story revolves around Ben Rumson, a miner and his daughter. With a strong cast of fourteen we see lots of multi rolling and a very professional polished production.
Madama Butterfly is a staple of the operatic repertoire around the world, so it is hard to believe that the original two-act version was so poorly received at its premiere in 1904 at La Scala in Milan. Puccini rewrote it in three acts to great success before reverting to the two-act formula that we see performed today.
Giuseppe Verdi’s 1851 opera Rigoletto is based on Victor Hugo’s notorious play ‘Le roi s’amuse’ which was banned after only one performance in 1832 for causing offence to both public morality and political sensibility. Verdi’s re-telling thankfully got past the censors to provide a three act play which exposes the counter-morality at play in society.
At some point in our lives we will all experience something that’s turns our worlds upside down and what helps us through in those tough times? Family. It’s family that unites us I believe. Those Two Weeks written by Ian Salmon, is currently being performed at The Unity Theatre in Liverpool and show the effects that two weeks can have on one average family and their relationships with one another.
If the amount of stars all over the poster don’t catch your eye for The Kite Runner at Liverpool Playhouse then the fact it’s a follow on from its West End run that is described as ‘outstanding’ certainly will. It’s a first for myself and I entered tonight’s performance with a brief understanding of the plot from research. It was a blank canvas for them to paint and after reading such rave reviews I was expecting nothing less than the Mona Lisa.
Professional dancers Vincent Simone and Flavia Cacace are most widely known from BBC’s Strictly Come Dancing and their wealth of successes as both dancers and choreographers. They now bring a modern take on the tango to various theatres throughout the UK including the Liverpool Empire.
Gheko presents The Wedding, created by Amit Lahav, produced by Rosalind Wynn and associate director Rich Rusk. A first for me in many ways this evening, first time watching a Gheko production, first time I’ve heard of the play and the first time I’ve ever watched a piece of theatre that wasn't primarily in English language.
Some shows, you automatically assume you know everything about them, and so does everybody else; here, the lines about the movies getting smaller and being ready for a close-up. It's a surprise then to find neither musical numbers, nor story for that matter, seem familiar. Correction: the plot is as old as the hills, or rather, the Greek myths and the Bible, although I found I kept thinking about Colette's Chéri: Danny Mac plays Joe Gillis, a down-on-his-luck writer who accidentally winds up chez Norma Desmond (Ria Jones), a fading film star, who happens to have a script in need of editing.
Frank Sinatra, Dean Martin and Sammy Davis Jr, three legendary singers collectively known as the Rat Pack, although this is a name they never referred to themselves as, are back in town. Well actually their persona are, taking to the stage in the form of Garrett Phillips, Kieron Crook and David Hayes. Set in the Sands Hotel, Las Vegas and with a live band at the rear of the stage and pianist/musical supervisor Matthew Freeman accompanying them, we are taken back to the 1960's for an evening of easy listening. The band were amazing and set at the right pitch never drowning out the artistes as is often the case with a big band sound.
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