Bradford-based radical theatre group Bent Architect brought their new production to The Partisan Collective, a co-operative social enterprise based in a splendid if dilapidated building at the end of Cheetham Hill Road in Manchester. The building’s cosy and intimate basement was the setting for Mick Martin’s play Women of Aktion.

In a whirlwind of sparkles and stilettos Kinky Boots came to Manchester!

This polished production is based upon the book written by Harvey Fierstein and the film written by Geoff Deane and Tim Firth. Cyndi Lauper wrote the music and lyrics.

At this time of year we spend a lot of time thinking about those who lost their lives in WWI and II, and remembering with thanks, appreciation and sadness the soldiers who gave their today for our tomorrow. However, in addition to this, it’s important to think of the war veterans still with us today, many of whom are struggling physically and mentally with the after-effects of war. With this in mind, what better time than Remembrance weekend for Plaster Cast Theatre’s production of Action Man to be shown at 53Two as part of the NEWvember series.

Having originally seen a snippet of this play at the Kings Arms in Salford as part of Stigma, performance for mental health week it was more than enticing enough to make a return to see Ann Brown perform this one woman play at 53Two.

If there has ever been a time to revisit the Classic BBC television series; Blackadder, it would be this week - with this Sunday marking the centenary of the end of the First World War and the First World War being very much in the forefront of people’s minds.

Every so often a play comes along that stays with you. It makes you think, question and wonder why. The Glasshouse is that play.

53Two have taken an excellent script written by Max Saunders-Singer and produced a heartfelt, faithful narrative of how soldiers of the First World War were treated by their own side, if they were unwilling or unable to fight.

For the first time, Ian Rankin has bought his Edinburgh detective to the stage. Rebus first made his appearance in print in 1987 and the winning formula has seen 19 books published with a 20th on the way. Rebus: Long Shadows was written for the stage with Ian Rankin using playwright Rona Munro to help as the Theatre is unfamiliar territory for the novelist.

The Orbit Festival at HOME was designed to bring together theatre makers from across the globe to explore the very essence of how we face the world, the stories we tell ourselves and what makes us who we are today. This sentiment is wonderfully showcased by Tangram Theatre and James Rowland’s ‘A Hundred Different Words For Love’. It is easy to see why it was the winner of The Vaults Festival Best Show Award, and why it completed a highly successful run at Edinburgh Fringe Festival earlier this year.

For their second concert of the season, the NCO pulled off a coup by engaging the acclaimed young clarinettist Julian Bliss to play Weber’s demanding Clarinet Concerto no.2 in a wide-ranging programme of works from the late eighteenth to the mid-twentieth centuries.

Stephen Sondheim is the undisputed king of Broadway, for over sixty years he has written some of the most insightful, funny and challenging music and lyrics in the entire musical theatre canon. Since opening its doors in 2015, the name of Hope Mill has become synonymous with the ambitious and inventive in-house musicals it has produced. I am delighted to say that 'Putting It Together' further cements this reputation, Sondheim and Hope Mill are a match made in heaven.

Traditional interpretations of Othello have focussed on the role that race has played in the shaping of the central character. The 'Moor of Venice' struggles in vain to contain his jealousy, egged on by Iago his deceitful lieutenant into murdering his innocent wife Desdemona. From the outset it is clear that this production by the English Touring Theatre (in conjunction with Bristol Tobacco Factory and the Oxford Playhouse) has decided to make religion, rather than race, the defining characteristic of Othello. The result is a fresh perspective on the text and wholly accessible production with a relevant message to a modern audience.