Anything written by great friends Leah Bell and Crissy Rock can only mean one thing..... a ludicrously laugh a minute show and tonight delivered exactly what it says on the tin (or coffin!) and hilarious performances from each and every one of the cast. With original music by Mike Redway could this musical comedy be curtains for everyone?
Nana puts the same lottery numbers on every single week, and this week was no different. When she wins the £8.2 million jackpot, her family is understandably over the moon, but what did she do with the winning ticket? Mike Yeaman’s original script is extremely funny, and I wasn’t the only member of the audience laughing out loud. His clever commentary on family dynamics, ageing, and the desire to better yourself kept me hooked from the first word to the last, and I certainly wasn’t expecting the final twist when it came.
The Queen of Soul needs no introduction and her legacy lives on as this captivating, respectful tribute unfolds on stage. Aretha Louisa Franklin (1942-2018) was raised on gospel and the daughter of a minister and tonight’s show is set in the format of a church along with the Reverend (A.J Lewis), a gospel choir and a four piece band.
It is a treat to be back in the Brindley Theatre Runcorn, reviewing the talented Encore Productions as they showcase their latest production “Summer Holliday”. Encore have definitely taken a twist with this musical which is based on the Cliff Richard movie of the same namesake but this company have proved, once again, that they can pull off anything they turn their hand to.
Willkommen! And Bievenue! Welcome! Cabaret takes place between 1930-31 in Berlin, Germany. We are transported to the Kit Kat cabaret club where everything and anything goes. Cabaret acts, drink, drugs, sex. Heterosexuals, homosexuals and bisexuals are free to be who they are and with who they want to be. But are they? Early 1930s Germany, with Nazis and concentration camps, can the people from the cabaret clubs be happy and live everyday lives.
I saw my first Centenary production earlier this year “Strictly Musicals” and was spellbound by the sheer talent and diversity of the group that as I sat in the half full theatre to observe their latest production I was filled with nervous anticipation and wonder.
Joseph and the Amazing Technicolor Dreamcoat has landed at the Crewe Lyceum last night. The show now in its 50th year has helped and indeed launched many careers over the years thanks to the wonderful compositions by Lord Lloyd Webber and lyrics by Sir Tim Rice.
With just a jump to the left and then a step to the right… the time warp will take you right back into the world of Frank N Furter and Rocky Horror, or rather, to the wacky imagination of Richard O’Brien, circa 1973. More than 40 years on, the Rocky Horror Show continues to tell the story of Brad and Janet and their flat tyre, their subsequent encounter with a mad transvestite scientist and their journey of self-discovery.
Codys Productions Present Alan Parker’s ‘Bugsy Malone’ at the Brindley Theatre, Runcorn. Being very familiar with the name ‘Bugsy Malone’ but having never seen the production or movie, I am very privileged to have my first experience an unforgettable one from the talented youth at Codys!
Saturday Night Fever burst into Chester this evening, taking over the main stage at the Storyhouse. With huge disco balls, brilliant lighting, live music and an audience ready to party, we were ready to see how this well known 1970s film would unfold on stage.
Moira Buffini has been writing plays professionally for 25 years. Born and bred in Cheshire she has challenged the theatrical establishment to open their eyes to female writers. Never a writer to shy away from strong storylines, she has tackled warring brothels in 18th Century London in her TV drama ‘Harlots’. In another historical drama she wrote about a same sex couple in medieval England called ‘Silence’ at a time when this type of play was not universally accepted, and she struggled for years to find a theatre who would produce it. ‘Dinner’ was one of her earlier plays, achieving success at the National Theatre in 2002, then transferring to the Wyndham Theatre in 2003.
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