My memory of the traditional Oliver fitted the show perfectly! Being on stage there were some scenes hard to perform but it was directed superbly to fit the staging and casting. It is an all-round family show from Ensemble Theatre with very little faults and something for everyone.

My first statement is that I do not think this a ‘family’ show due to a fair bit of rude content and adult language and therefore, I think it should have been marketed as such however, that said, this was an extremely lively and entertaining evening.

The Play That Goes Wrong is the ultimate laugh out loud comedy to grace the theatre scene in the recent years. The show came from a group of friends who worked together to devise it before performing it in the upstairs of a pub. From its very humble beginnings it has now won an Olivier Award for best new comedy and is embarking on another UK tour. The show is utterly fantastic and I would challenge anyone to argue differently.

My theatre companion and I are old enough to recall going to see the original film at the pictures, way back in the 1960s, so a trip to the Opera House for a stage version of Summer Holiday, sans Cliff Richard, was about to test our nostalgia meters!

The story of the Titanic has fascinated audiences since its tragic sinking 106 years ago. It has inspired countless songs (112 in 1912 alone!), blockbuster movies, stage shows and a musical. Maury Yeston and Peter Stone’s musical tragedy might not be the first choice for an evening’s entertainment but this touring production has much to recommend it.

It’s the final date of a tour that’s been running for more than a year and Ruby Wax has the perfect excuse to look, well, frazzled. The show is starting 15 minutes late because of train delays – well, we are in Northern Rail territory, after all.

Beautiful begins in 1971, when Carole King played the Carnegie Hall following the huge success of her seminal album ‘Tapestry’. Carole King (Bronté Barbé) sits at her piano centre stage bemused by the success she has achieved given her unassuming beginnings. Then with a seamless swish of Derek McLane’s multi-functional set the audience are transported back to 1960s Manhattan, and the start of King’s journey to become the most successful female songwriter of the latter half of the twentieth century.

Something magical happens the second I enter Preston’s Charter Theatre and it's great. A green land of countryside is evoked with the sounds of crickets and birdsong against a flowing river. Hats off to the sound design, provided by Jack Hubbard and Jack Rodriguez in this production of Wind in the Willows by Preston College’s Performing Arts.

Going to see Shrek in Blackpool with my sister in law and 10 year old nephew and 14 year old musical-mad niece, we were all feeling pretty excited. After all, it’s a hilarious film with loveable, quirky characters and generally a good time. Sadly, that didn’t quite translate onto the stage.

Legally Blonde the musical opens with a high energy number as sorority girls cycle around the stage. Expressing their excitement from learning that their friend Elle Woods has just got engaged to her boyfriend Warner. However the majority of the audience are all too aware this isn’t the case.

What better place to celebrate #WorldTheatreDay than in a beautiful Frank Matcham theatre? But how would the much-loved Robert Louis Stevenson horror story translate to the stage?